by Paul Drockton
http://moneyteachers.org/Beatlemania.htm
It appears that "Nothing is Real" when it comes to the Beatles and their Strawberry Fields:
"Modern electronic-rock music, inaugurated in the early 1960s, is, and always has been, a joint enterprise of British military intelligence and Satanic cults. On the one side, the Satanists control the major rock groups through drugs, sex, threats of violence, and even murder. On the otherside, publicity, tours, and recordings are financed by record companies connected to British military intelligence circles. Both sides are intimately entwined with the biggest business in the world, the international drug trade." (Source)
In fact, it appears that the Beatles were actually created to bring the Illuminati Agenda into the American Mainstream with the objective of selling narcotics and sex on behalf of the global elite.
"The so-called "rock stars" are pathetic puppets caught in a much larger scheme. From the moment they receive their first recording royalties, the groups are heavily immersed in drugs. For example, much-admired "stars'' such as John Lennon of the Beatles and Keith Richard of the Rolling Stones, were heroin addicts. Richard had to obtain blood transfusions, replacing his entire heroin-laced blood supply, in order to get a visa to enter the United States." (Ibid)
"The "rock stars" are also totally artificial media creations. Their public image, as well as their music, is fabricated from behind the scenes by controllers. For example, when the Beatles first arrived in the United States in 1964, they were mobbed at the airport by hundreds of screaming teenage girls. The national press immediately announced that "Beatlemania" had besieged the U.S.A. But the girls had all been transported from a girl's school in the Bronx, and paid for their screaming performance by the Beatles' promoters." (Source)
From their humble beginnings strumming their guitars at a German strip club as background music to their work in the notorious Hamburg/Reeperbahn district (where Prostitutes openly vended their wares in red-lit, shop windows), the Beatles were anything but the sparkling clean image they presented to the world in the beginning of their recording career.
"Far from the picture of innocence, the Beatles, even in their first performances, were always high on a drug called Preludin, "John (Lennon), would be foaming at the mouth, he'd have so many pills inside him...John, began to go berserk on stage, prancing and groveling...The fact that the audience could not understand a word he said, provoked John into cries of `Sieg Heil!' and `F*#!ing Nazis' to which the audience invariably responded by laughing and clapping."
Off the stage, the Beatles were just as evil. Norman continues, "while in Hamburg, John, each Sunday would stand on the balcony, taunting the churchgoers as they walked to St. Joseph's. He attached a water-filled contraceptive to an effigy of Jesus and hung it out for the churchgoers to see. Once he urinated on the heads of three nuns." (Source)
Preludin was a stimulant and sexual enhancement drug similar to amphetamines. Paul McCartney was also a persistent user of the drug in those early days. (source) It is no secret that the Illuminati use narcotics to offset the instability of the programming they use to control their mind-slaves. Brian Epstein (the homosexual that "discovered" and managed the Beatles) signed them to EMI records, a known British intelligence front that promoted ex-Nazis:
"EMI, led by aristocrat Sir Joseph Lockwood, stands for Electrical and Mechanical Instruments, and is one of Britain's largest producers of military electronics. Martin was director of EMI's subsidiary, Parlophone. By the mid-sixties EMI, now called Thorn EMI, created a music divison which had grown to 74,321 employees and had annual sales of $3.19 billion.
EMI was also a key member of Britain's military intelligence establishment.
After the war, in 1945, EMI's European production head Walter Legge virtually took over control of classical music recordings, signing up dozens of starving German classical musicians and singers to EMI contracts. Musicians who sought to preserve the performance tradition of Beethoven and Brahms, were relegated to obscurity while "ex-Nazi" Party members were promoted. Legge signed and recorded Nazi member, the late Herbert Von Karajan, promoting him to superstar status, while great conductors such as Wilhelm Furtwangler were ignored." (source)
EMI , British Intelligence, Narcotics and the Occult:
"the Beatles had released their first album dedicated to the promotion of psychedelic drugs, Sargeant Pepper's Lonely Hearts Club Band. The album contained a fantasized version of an LSD trip, called "Lucy in the Sky with Diamonds", or L.S.D. for short. It became a top seller.
Clearly, the Beatles' album was dedicated to Satanist Aleister Crowley. It was released 20 years, nearly to the day, after Crowley's death in 1947, and its title song began with the lyrics, "It was twenty years ago today..." The album's cover featured a picture of Crowley."(Source)
Was Satanist, Aleister Crowley, the real founder of Sgt. Pepper's Lonely Heart's Club Band? This will be the subject of my next article.
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