And the great dragon was cast out, that old serpent, called the Devil, and Satan, which deceiveth the whole world...-Revelation 12:9
The Great Serpent of the Garden of Eden and the Lord God are identical. — Helena Blavatsky
The Secret Doctrine
Answering the Riddle
The symbols on the Great Seal at first glance seem to be incompatible with the history, political organization, and religious heritage of our great nation. An Egyptian pyramid? What has that to do with America? Strange Latin inscriptions? A bizarre all-seeing eye radiated by the sun's rays? Odd, indeed.
In fact, both sides of the Great Seal, each with various images, have been around since the days of the Continental Congress.
In 1776, just hours after the Declaration of Independence was formally adopted, a committee composed of Benjamin Franklin, Thomas Jefferson, and John Adams met to design the Great Seal. They invited an artist, Pierre Eugene Du Simitiere, to join them and a design was approved. But the Continental Congress failed to approve it. So, in 1782, Congress called on William Barton, an authority on symbols and heraldry, and Charles Thompson, Secretary of Congress, to help sort out the process. Finally, out came the current day, two-sided Great Seal.1
Enter Rothschild's Man, Haym Salomon
That, of course, is the official version of events. But some claim that a mysterious man from Europe, but living in Philadelphia, named Haym Salomon, secretly assisted the committee of Franklin, Jefferson, and Adams. Haym Salomon, a Jewish banker, just happened to be the American representative for the Rothschilds of Europe.
Though Jewish and Zionist in ambition, the Rothschilds were not worshippers of the God of the Old and New Testaments of the Bible. They were Sabbatian/Frankist (Satanic) in theology. They sought (and still today seek) a Jewish Utopia or Kingdom on planet Earth. This Kingdom would be the New Age successor to ancient Babylon and Egypt. It would be a powerhouse nation that would, through magic and intellect, conquer the world. America would be its proxy.
Rothschild agent Haym Salomon had millions of dollars of largesse to spread around in bribes. And so he did. A good portion of the money went to fund the Continental Congress and its operations. Some went into the Treasury for the Revolutionary War effort. Some went into politicians' pockets.
Rothschild eventually got the images he had demanded on the Great Seal, though not without opposition. The design was bitterly opposed by the few who recognized the Masonic and Illuminist elements.
As for Haym Salomon, few history textbooks mention him. But he is privily called by Illuminati Jews "The Financier of the American Revolution." Only recently, scattered bits of propaganda have begun to be floated about him. A few Jewish books speak of his "grand accomplishments," offering a more cheery and less honest version of his life and his activities as banker for the American Revolution.
Now, let us examine the symbols on America's Great Seal and see if we can make sense of their true, esoteric meaning and purposes. Let us wipe away the gloss and get down to the base surface to better understand. This is vital because of the future of the United States —and the destiny of all humanity —is wrapped up, and is revealed, in this collection of Illuminist symbols and marks.
The Ashlar Stones and The Pyramid
Masonry is a peculiar Egypto-Babylonia-Jewish institution, and so the pyramid itself hearkens back to the Dynasty of the pharaohs and to the Gods and Goddesses of ancient Egypt. The stones which make up the pyramid are also of esoteric significance. In the Masonic philosophy it is taught that unenlightened man is in a rude, natural state.
In many pagan religions this concept of the Rough vs. Perfect Ashlar was taught. In Freemasonry, it is heavily emphasized. The pyramid's structure is fitted only with perfect ashlar stones, it is said, meticulously chosen by "The Builders" who watch for flaws and reject the rough, or imperfect ashlar.
Likewise, the higher level Masons discover that the pyramid reflects, or parallels, the New World Order (Novus Ordo Seclorum) they and their Illuminized superiors are building under the watchful eye of the Great Architect of the Universe, whose secret and sacred name, the Royal Arch Mason learns, is Jahbuhlun.
The Builders (the Perfect Ashlars), then, are the Illuminati and their minions. Their building project is the renovation and reconstruction (Perestroika or Tikkun Olam) of the whole earth. Of course, in order to build the New Deal of the Ages, they must first tear down the old. Civilization as we know it today must be razed and destroyed by dialectic chaos, so that the new order may be ushered in: Ordo Ab Chao
It is when this ambitious goal is achieved that, symbolically, the capstone will be set in place atop the pyramid. Then he who lies within the living stones shall come forth to rule. The Phoenix (Satan and his "son") shall rise from the flames of destruction just as the legendary phoenix bird arose.
The Phoenix, however, is, in reality a cockatrice, a dragon-bird, a flying serpent. The word "pyramid," incidentally, literally means "amidst the fire." And now you know the true, occultic meaning of the word.
Peering Into the All-Seeing Eye
Simply put, Freemasons, under the direction of Haym Salomon, Ben Franklin, and others, designed the Great Seal with its all-seeing eye in the capstone amidst the radiant sun background. As followers of Egyptianism, it has long been assumed that the eye is that of Osiris, the Egyptian sun God, and/or of his son, Horus. This is true, but there is much more.
Osiris, of course, was worshipped as the Sun. Albert Pike, former Sovereign Grand Commander, wrote:
"The sun...is the All-Seeing Eye in our Lodges."2
"the Blazing Star (the pentagram deity) has been recognized as an emblem of Omniscience, or the All-Seeing Eye, which to the Ancients was the Sun."3
Their God is The Serpent
Now, the Bible, in Isaiah 14 and Revelation 12:9, identifies Lucifer as "the great dragon...that old serpent, called the Devil, and Satan, which deceiveth the whole world." So, by whatever name you call him, the God of the Illuminati and Masonry is the Serpent. In fact, in A Bridge to Light, an official textbook of the Supreme Mother Council, 33°, the highest council of the Scottish Rite, Rex Hutchens, 33°, reveals that "the body of the Holy Spirit, the universal agent," is none other than "the Serpent devouring his own tail."4
Remember, in all their writings, the most revered of Masonic scholars — Manly P. Hall, Albert Mackey, Albert Pike, etc.—claim that the Masonic rituals and teachings come from the "mysteries" of ancient Babylonians, Egyptians, Greeks, Persians and others. Thus, we glean understanding when we read, in Earth's Earliest Ages, this statement by G. Pember:
"There is little doubt that the culmination of the mysteries was the worship of Satan himself."5
The Great Serpent of the Garden of Eden and the Lord God are identical.7
The Devourer of Self
Barbara Walker, researcher of occultism and paganism, writes:
As Lord of Death, Osiris was sometimes identified with the Great Serpent of the underworld, and sometimes was painted in the same serpentine form, bent around so his toes touched his head.8
The oroboros, or serpent biting its own tail, is pictured on the cover of Codex Magica. This book unmasks the Illuminati worship of this detestable creature, a worship of which virtually every person on earth is dangerously and hopelessly unaware. Since the Illuminati, Masons, and fellow cabalists have amassed such tremendous political, financial, social, and technological powers, is it not a frightening thing to realize that these men are not only religious, their religion is Satanism, and their God is the Devil?
The destructive path, therefore, is the way of the Illuminati. As I have demonstrated, these wicked agents of the Serpent are psychopaths and present a clear and present threat and danger to our lives. But the gravest danger is that which confronts the souls of billions of unsaved, ignorant human beings. If they fall for the Lie of the Serpent, they will suffer total destruction and suffer loss for eternity.
In Occult Geometry, A.S. Raleigh examines the symbol of the circle. He writes:
One form of the circle is a serpent with a tail in its mouth...It is the return to Unity... The true circle symbolizes evolution, the Serpent Circle involution... the power brings Unity out of diversity... The Serpent Circle is, therefore, ever the symbol of the destructive.9
As I have proven over and over by a preponderance of documentation, we cannot separate the murderous goals and activities of the Illuminati from their religious belief system. Their inspiration, their fanatical zealotry, comes from their teacher, Satan, who has given them a thorough set of instructions—an UnBible if you will, in the Jewish Cabala. In this UnBible , the Serpent plays the key role. He is praised as the "Serpent of Wisdom." The destiny of the Illuminati and the whole world is said to be in his hands.
(1) All-seeing eye;
(2) The sign of eternity—resembling the figure 8 lying on its side; (3)The three dots, or points, indicative of the unholy trinity.
Raleigh set out to write a universal chronicle that would parallel the Old Testament chronology in its initial chapters but bring the story up to his own times, in which the history of England would be related to that of the rest of the world. He got only as far as the fall of Macedonia in 130 B.C.
James's displeasure was caused by Raleigh's portrayals of Assyrian Queen Semiramis, which was seen as a tribute to Elizabeth I, and of her effeminate successor, Ninus, which the king interpreted as an unflattering caricature of himself.
Sir Walter Raleigh's distinguished book, The History of The World (written between 1607 and 1614) had this illustration as its frontispiece. The book was banned by England's King James I because it revealed too much, ostensibly for its portrayals of Babylonian Queen Semiramis and her effeminate son, Ninus. More likely is that the artwork shown here revealed far too many occult secrets, including the androgynous (male/female) figure holding aloft the globe, the all-seeing eye, etc.
Far Above left: This version is from Atlanta Fugiens, by Michael Maier, 1618.
Far Above right: This version of Oroboros is from Dahomey, West Africa.
Above: An early, hand-painted Masonic apron depicts many occult symbols, including the serpent Oroboros, the skull and bones, pentacle stars, the pyramids, the mallet, and the X.
"In the mythology of the primitive world, the serpent is universally the symbol of the sun... As the sun was the enlightener of the world, so the serpent was held to have been the great enlightener of the spiritual, by giving mankind knowledge of good and evil."