2) The Land of Oz,
3) Ozma of Oz,
4) Dorothy and the Wizard in Oz,
5) The Road to Oz,
6) The Emerald City of Oz,
7) The Patchwork Girl of Oz,
8) Tik-tok of Oz,
9) The Scarecrow of Oz,
10) Rinkitink in Oz,
11) The Lost Princess of Oz,
12) The Tinman Woodsman of Oz,
13) The Magic of Oz,
14) Glinda of Oz.
B. THE WIZARD OF OZ MOVIE & ILLUMINATI RITUALS Dorris Duke
C. THE WIZARD OF OZ SERIES OF BOOKS AND MONARCH PROGRAMMING Yellow Brick Road
Book 3. Ozma of Oz
Alice In Wonderland
Alice Through the Looking Glass
The Tall Book of Make-Believe
To get someone onto the Yellow Brick Road you must know the access code to get them through the poppy field. The color codes are important to get an alter through the field of poppies. "Fiddler" is important word to get to the yellow brick road (it signifies the programmer in the context of "the programmer is here, go over the rainbow") and then the alters eat what is variously called MUSIC or a SCRIPT or A LETTER which are words meaning "instructions."
In the 1900 edition of the book on page 3 1-32 says (programming cues are in caps), "She closed the door, locked it, and put the KEY carefully in the pocket of her dress. And so, with Toto trotting along soberly behind her, SHE STARTED ON HER JOURNEY. THERE WERE SEVERAL ROADS NEAR BY, BUT IT DID NOT TAKE HER LONG TO FIND THE ONE PAVED WITH YELLOW BRICK. Within a short time she was walking briskly toward the EMERALD CITY , HER SILVER SHOES tinkling merrily on the hard, YELLOW ROADBED. The sun shone BRIGHT AND THE BIRDS SANG SWEET and Dorothy did not feel nearly as bad as you might think a little girl would who had been SUDDENLY WHISKED AWAY FROM HER OWN COUNTRY AND SET DOWN IN THE MIDST OF A STRANGE LAND....The houses of the Munchkins were odd-looking dwellings,...ALL WERE PAINTED BLUE, for in this country of the EAST BLUE WAS THE FAVORITE COLOR... FIVE LITTLE FIDDLERS PLAYED AS LOUDLY AS POSSIBLE AND THE PEOPLE WERE LAUGHING AND SINGING, while a big table nearby was loaded with DELICIOUS FRUITS [the programs] and NUTS, PIES, and cakes, and many OTHER GOOD THINGS TO EAT [scripts to ingest]."
Monarch slaves are threatened with fire, like the Scarecrow. They also see people dismembered like the Scarecrow was dismembered. For them it is not an idle threat. The front alters also have hearts full of pain like Scarecrow. Certain alters are not given courage and most have their hearts taken from them. The alters who are programmed not to have hearts are hypnotically told the same thing the Tin Man says, "I could be human if I only had a heart." (See Chapter 4, where it discusses hypnosurgery.) Some alters are taught they are stupid and have no brain. Scarecrow is asked the question, "How can you talk without a brain? Scarecrow answers, "Some people without a brain can do a lot of talking."
Emerald City is used in programming. Emerald City in the programming will be well guarded and hard to reach. Several important things will be placed inside the Emerald City , including the deeper Illuminati alters. Castles are used in the programming. Lots of castles, either in the mind's imagery or purely demoniac are placed into the slave's mind. Winged monkeys are able to watch in the movies somewhat as spy satellites. Winged monkeys are used in the programming to create a fear of always being watched.
The Flowers used in the movie and books, are also used in the programming. The witch uses poppy flowers to put the lion and Dorothy to sleep. Opium and cocaine are used to tranquilize Monarch slaves. An alter of a slave will get trancy when they enter the poppy field. (Heroin and cocaine come from poppies.) In the film, Dorothy says, "What is happening? I'm so sleepy." She and the lion get sleepy for no apparent reason very quickly. Monarch slaves do the same thing. Waking up with snow in the movie is nothing less than an allusion to cocaine which is a common substance given to Monarch slaves to help make them dependent.
Dorothy states at one point in the movie that she "doesn't remember". She then follows this up with "I guess it doesn't matter." Hour glasses appear in the movie in several spots, and they also occur in various contexts in people who have been programmed by the Monarch programming. Some victims of the programming have hour glass configurations each created around a separate axis. The hour glasses have the ability to be rotated which causes certain alters to be brought forward. Monarch slave masters have also used hour glasses to indicate to their slaves that death was imminent and that time was running out. This is the way the wicked witch used the hour glass on Dorothy, who happens to be saved just as the hour glass runs out.
Some Monarch slave masters actually have large hour glasses (sometimes 3' high) like in the movie. (In Cathy O'Brien's autobiography of her life as a Monarch slave Transformation of America she has a photograph of Sec. of Defense Cheney's hour glass on his desk with him seated. This hour glass was used to threaten her as a slave.)
When a Monarch slave sees an hour glass they may switch, but basically it is a reminder that the slave masters have the power to run a person's time out. One slave was told, "The sand that sifts through the hourglass is a measure of your worthiness to live or die." The hour glass shape is basically two triangles which touch at their peaks, or an X configuration with the tops of the X having lines. The child's mind is to visualize this configuration as a compass, as the four points N, S, E, W, they are to see the X configuration also as an x, y axis upon which a city is structured upon. The hour glass then is tied to several other concepts which integrate themselves well with the basic X shape of the hour glass. Circles with X's are stacked on top of each other to form the different worlds which contain the alters. The two pie shaped pieces of the hour glass will hold one world, while the hour glass configuration made by the other two adjacent pieces hold the looking glass mirror images of each alter. Each hour glass is called 2 quadrants. To remove 4 quadrants would of course take both alters and mirror images with it.
In mathematics, it could be stated that regular alters are in quadrant x,y and -x, -y. And that the looking glass people--the mirror images, early splits made from each alter as a copy, are in quadrants -x, y and x, -y. (See the chapter on how to structure a System) "Click your heel together and be there in a snap" is both in the movie and in the programming cues.
Military Monarch slave models are especially taught to click their heels together. (Joseph Mengele, Dr. Black, Michael Aquino and others also liked to click their Nazi boots together while they programmed children.)
"SILENCE!" is both in the movie and a command of the Oz Programming. This word SILENCE stands for a code of "no talk" which runs deep in the mind of the slave. As in the movie, certain slave alters will talk to their masters as Dorothy did, "If you please, Sir..." The keys (and triggers) to control the switching of personalities and to give orders are frequently based on Wizard of Oz material.
A Monarch slave owner might use cues based on the Wizard of Oz such as "THERE'S A PAIR OF MAGIC SHOES TO WEAR WITH YOUR DRESS...SOMETHING IN LIGHTENING...TO TRANSPORT YOU FASTER THAN THE OL' RUBY SLIPPERS." (Quote from O'Brien, Cathy. "Operation Carrier Pigeon", Monograph, pg. 2.) A cryptic death threat given to Cathy as a slave by handler Sec. of Defense Cheney to kill her daughter by taking off her daughter's ears was then backed up by the hypnotic command based on Wizard of Oz programming, "I'LL GET HER, MY PRETTY. . .YOUR LITTLE GIRL."
The programming that is related to the Tin Man produces a monarch slave which is described as "A WELL OILED MACHINE" by the handlers. U.S. Sen. Allen Simpson, one of the perpetrators of the Monarch Program, referred to the Tin Man programming when he told a slave "THESE ARE BUT EMPTY SHELLS OF THE LIFE THEY WERE ONCE POSSESSED. LIKE YOU ARE--EMPTY AND VOID OF LIFE."
Phrases like "troubles melt" can be found in both the movie and in the programming. Let's now cover what programming is based on the Oz books, that isn't found in the movie. A great deal of the Oz programming comes from the books, of which only the first book was used for the movie. The public is familiar with the movie which is based on the first one, but in general doesn't know the other books exist. We will not go through the scripts of all 14 books--there isn't room for that, but by going through a few of the books, the reader will begin to see the massive amount of material which was used for programming scripts in the Oz books. It is one thing to say, the Wizard of Oz was used as a mind-control programming script, but that doesn't convey the extent of it. Large sections of the 14 books are almost perfect for mind-control. If you take the trouble to read these quotes, you may find yourself startled at what you thought at first glance was a nice child story!
Pg. 38 Book 1 The Wizard of Oz: "That is true," said the Scarecrow. "You see," he continued, confidently, "I DON'T MIND MY LEGS AND ARMS AND BODY BEING STUFFED, BECAUSE I CANNOT GET HURT. IF ANYONE TREADS ON MY TOES OR STICKS A PIN INTO ME, IT DOESN'T MATTER, FOR I CAN'T FEEL IT." This is teaching dissociation. The slaves actually do have pins & needles stuck into them, or toothpicks under their fingernails, etc. If anyone asks the slave a question they can say according to the script, "I don't know anything." The infant slave will be taught words like this "STICKS & STONES MAY BREAK MY BACK, BUT WORDS WILL NEVER HURT ME, BECAUSE I'M NOT HERE."
Pg. 41 Book 1 The Wizard of Oz: "It never hurt him, however, and Dorothy would pick him up and set him upon his feet again, while he joined her in laughing merrily at his own mishap." This is teaching the programming "IT'S O.K., IT DOESN'T MATTER, NOTHING WRONG HERE" that the slave is taught to tell the world.
Pg. 40 Book 1 The Wizard of Oz: "nest of rats in the straw, ...at the scarecrow." The mice in a Monarch System which control the turning of the quadrant's clock, hide from the scarecrow.
Pg. 42 Book 1 The Wizard of Oz: "fewer fruit trees..." If the slave eats the fruit [code for programs] without permission, the dwarf munchkins will beat the alter with their clubs. Also on this page HOME is called KANSAS , and it is described as "how gray everything was there." In other words, reality isn't as great and colorful as the make believe internal world you can build in your mind to escape this hell we're giving you.
Pg. 43 Book 1 The Wizard of Oz: ...The Scarecrow looked at her reproachfully, and answered, "My life has been so short that I really know nothing whatever. I was only made day before yesterday. What happened in the world before that time is all unknown to me. Luckily, when the farmer made my head, one of the first things he did was to paint my ears, so that I heard what was going on." This is the script read to new alters, to help them have a clean slate before programming them with another new script. This is coupled with the Wizard of Oz theme that the Wizard gives brains (what to think) to the Scarecrow. The alters are hypnotically programmed that if they think on their own--then they are empty headed like the Scarecrow. They can only have something in their head if they let the Wizard give them what to think.
Pg. 45 Book 1 The Wizard of Oz: "It was a lonely life to lead, for I had nothing to think of, having been made such a little while before." This is part of the script read a new alter.
Pg. 48 Book 1 The Wizard of Oz: "So the Scarecrow led her through the trees until they reached the cottage, and Dorothy entered and found a bed of dried leaves in one corner. She lay down at once, and with Toto beside her, soon fell into a sound sleep. the Scarecrow who was never tired, stood up in another corner and waited..." This was used to program part of a script for an Illuminati ceremony.
Pg. 57 Book 1 The Wizard of Oz: "So the old woman went to the wicked Witch of the East, and promised her two sheep and a cow if she would prevent the marriage. Therefore, upon the wicked Witch enchanted my axe, and when I was chopping away...the axe slipped all at once and cut off my left leg. "This at first seemed a great misfortune, for I knew a one-legged man could not do very well as a woodchopper. So I went to a tinsmith and had him make me a new leg out of tin. The leg worked very well, once I was used to it; but my action angered the wicked Witch of the East, for she had promised the old woman I should not marry the pretty Munchkin girl. When I began chopping again my axe slipped and cut off my right leg. Again I went to the tinner, and again he made me a leg out of tin. After this the enchanted axe cut off my arms, one after the other; but, nothing daunted, I had them replaced with tin ones. The wicked Witch then made the axe slip and cut off my head, and at first I thought that was the end of me. But the tinner happened to come along, and he made me a new head out of tin." This is an Illuminati ceremony script done by Dr. Mengele with children at a very young age. It was a blood oath to "Green" that if they let anyone touch the programming they would cut themselves.
Pg. 58 Book 1 The Wizard of Oz: "...splitting me into two halves. Once more the tinner came to my help and made me a body of tin, fastening my tin arms...But alas! I had now no heart, so that I lost all my love for the Munchkin girl... I had known was the loss of my heart. While I was in love I was the happiest man on earth; but no one can love who has not a heart, and so I am resolved to ask Oz to give me one."
Pg. 66 Book 1 The Wizard of Oz: The Scarecrow, the Tin Woodsman and Dorothy expect that the Wizard of Oz can give a brain, a heart, and send Dorothy back to Kansas . Under programming the Master as the Wizard can give alters what he wants including sending them back to Kansas (their internal reality).
Pg. 77 Book 1 The Wizard of Oz, "...they could see the road of yellow brick running through a beautiful country, with green meadows dotted with bright flowers and all the road bordered with trees hanging full of delicious fruits." This is used for the imagery of the yellow brick road.
Pg. 87 Book 1 The Wizard of Oz: "Scarlet poppies...their odor is so powerful that anyone who breathes it falls asleep, and if the sleeper is not carried away from the scent of the flowers he sleeps on and on forever. But Dorothy did not know this, nor could she get away from the bright red flowers that were everywhere about; so presently her eyes grew heavy and she felt she must sit down to rest and to sleep." This is an important part of the programming. This is the story line for trancing deep.
Pg. 112 Book 1 The Wizard of Oz: "Then the Guardian of the Gates put on his own glasses and told them he was ready to show them to the palace. Taking a big golden key from a peg on the wall he opened another gate, and they all followed him through the portal into the streets of the Emerald City ." This is helpful imagery in setting up the internal Emerald City and its guards.
Book 3. Ozma of Oz
Pg. 20 Book 3 Ozma of Oz: "But the wind, as if satisfied at last with its mischievous pranks, stopped blowing this ocean and hurried away to another part of the world to blow something else; so that the waves, not being joggled any more, began to quiet down and behave themselves." Used to create protective programming, notice how the wind is personified.
pg. 23 Book 3 Ozma of Oz: "So she sat down in a corner of the coop, leaned her back against the slats, nodded at the friendly stars before she closed her eyes, and was asleep in half a minute." Alters may be trained to trance when placed in a corner.
Pg. 27 Book 3 Ozma of Oz: "No, indeed; I never care to hatch eggs unless I' ve a nice snug nest, in some quiet place, with a baker's dozen of eggs under me. That's thirteen, you know, and it's a lucky number for hens. So you may as well eat this egg." This has been used often to get 13 splits when torturing. Many Illuminati Systems were set up on 13 grids.
Pg. 30 Book 3 Ozma of Oz: "Next to the water [programming cue to build Atlantis] was a broad beach of white sand and gravel [programming cue to build Troy], and farther back were several rocky hills, while beyond these appeared a strip of green trees [programming cue to build a green forest] that marked the edge of a forest. But there were no houses to be seen, nor any sign of people [programming cue for alters to be invisible] who might inhabit this unknown land." This page along with others near it, have been used to build the structures in the internal world of Illuminati slaves. In brackets are a sample of how it could be used when building an internal world.
Pg. 34 Book 3 Ozma of Oz": "Why eating live things....You ought to be ashamed of yourself!" "Goodness me!" returned the hen, in a puzzled tone; how queer you are, Dorothy! Live things are much fresher and more wholesome than dead ones, and you humans eat all sorts of dead creatures." This is used to encourage cannabalism.
Pg. 35 Book 3 Ozma of Oz: "...a large sized golden key." To encourage the imagery of golden keys, which are used frequently in the internal system. The next chapter "Letter in the Sand" has singing trees in it, which have been popular items for the Illuminati due to their druid beliefs.
Pg. 39 Book 3 Ozma of Oz: "Bye, bye, and bye, when she was almost in despair, the little girl came upon two trees that promised to furnish her with plenty of food. One was quite full of square paper boxes, which grew in clusters on all the limbs, and upon the biggest and ripest boxes the word 'Lunch' could be read, in neat letters. The tree seemed to bear all the year around, for there were lunch-box blossoms on some of the branches, and on others tiny little lunch-boxes that were as yet quite green, and evidently not fit to eat." Boxes are built internally in the slave's mind and a box will contain a program. The food is the programming that the slave is to eat and digest. The programming in the box might be songs, nursery rhymes, or a poem or anything. (On page 41, there is a full page picture of a girl picking a lunch-pail from a tree limb to eat it.)
Pg. 40 Book 3 Ozma of Oz: "The little girl stood on tip-toe and picked one of the nicest and biggest lunch-boxes, and then she sat down upon the ground and eagerly opened it. Inside she found, nicely wrapped in white papers, a ham sandwich, a piece of sponge-cake, a pickle, a slice of new cheese and an apple. Each thing had a separate stem,..." The lunch-boxes on the tree are the programs which the programmers put in. The stems are what link the programming stories together in the child's mind.
Pg. 42 Book 3 Ozma of Oz: "I had a pair of silver shoes, that carried me through the air. ..said Dorothy." In the programming silver shoes are used as cues to go into altered states (i.e. through the air.)
Pg. 44 Book 3 Ozma of Oz: "embroidered garments of many colors" Color programming for the ribbons.
Pg. 47 Book 3 Ozma of Oz: "We'll get you in time, never fear! And when we do get you, we'll tear you into little bits." "Why are you so cruel to me? asked Dorothy. "I'm a stranger in your country, and have done you no harm." "No harm!" cried one who seemed to be their leader. "Did you not pick our lunch-boxes and dinner pails? Have you not a stolen dinner-pail still in your hand? ...it is the law here that whoever picks a dinner-pail without our permission must die immediately." The programming message to all of this is that no one had better touch the dinner-pails which represent the programs or they are to die immediately. Armies like in the story guard the internal programming of the slave.
Pg. 51 Book 3 Ozma of Oz: These pages describe a crack in rocks that is a door. This is used for Petra programming.
Pg. 52 Book 3 Ozma of Oz: "golden key"..."within the narrow chamber of rock was the form of a man--or, at least, it seemed like a man...his head and limbs were copper. Also his head and limbs were copper, and these were jointed or hinged to his body in a peculiar way, with metal caps over the joints, like the armor worn by knights in days of old." These are a System's robots which are said by the programmers to be friends, and which are invisible. You can see other people's robots but not one's own internal robots.
Pg. 53 Book 3 Ozma of Oz: "This copper man is not alive at all." The clone robots are made to think they are not alive, but just robots. In reality they are little child alters suited up to think they are robots.
Pg. 55 Book 3 Ozma of Oz: "...back view of the copper man, and in this way discovered a printed card that hung between his shoulders, it being suspended from a small copper peg at the back of his neck." The robots are put in by a combination of several stories. The deep sea divers of 20,000 Leagues Under the Sea, and the Wizard of Oz's Copper Man reinforce each other. "Extra Responsive Mechanical man fitted with our special clock-work attachment. Thinks, Speaks, Acts, and Does Everything but Live. Manufactured only at our Works at Evna, Land of Ev . All infringements will be promptly Prosecuted according to Law." This huge sign is part of the robotic programming the clone robots receive. Notice that they are drilled into total obedience--all infringements will be promptly Prosecuted. Obey the law that your Master gives you.
Pg. 56 Book 3 Ozma of Oz: "DIRECTIONS FOR USING For THINKING: --Wind the Clock-work Man under his left arm, (marked No. 1) For SPEAKING: --Wind the Clock-work Man under his right arm, (marked No. 2) For WALKING: --Wind Clock-work in the -middle of his back, (marked No. 3) N.B.--This Mechanism is guaranteed to work perfectly for a thousand years." These instructions were used to build Dr. Green's (Mengele's) boxes and the robots.
Pg. 58 Book 3 Ozma of Oz: "The words sounded a little hoarse and creakey, and they were uttered all in the same tone, without any change of expression whatever; but both Dorothy and Billina understood them perfectly." This was used to program the internal robots to speak in unison and to repeat themselves.
Pg. 60 Book 3 Ozma of Oz: "After that I re-mem-ber noth-ing until you wound me up a-gain." The internal robots forget and then are prepared again for war.
Pg. 62 Book 3 Ozma of Oz: "From this time forth I am your o-be-di-ent servant. What-ev-er you com-mand, that I will do will-ing-ly--if you keep me wound up." This is used to teach the internal robots obedience to their programming.
Pg. 67 Book 3 Ozma of Oz: "Within the pail were three slice of turkey, two slices of cold tongue, some lobster salad, four slices of bread and butter, a small custard pie, an orange and nine large strawberries and some nuts and raisins. Singularly enough, the nuts in this dinner-pail grew already cracked, so that Dorothy had no trouble in picking out their meats to eat." This is given to front alters as the front programming so that they see the programs as only "fruit".
Pg. 68 Book 3 Ozma of Oz: "Do the lunch-box trees and the dinner-pail trees belong to the Wheelers? the child asked Tiktok, while engaged in eating her meal. 'Of course not,' he answered. 'They belong to the roy-al fam-il-y of Ev, on-ly of course there is no roy-al fam-il-y just now be-cause King Ev-ol-do jumped in-to the sea and his wife and ten children have been trans-formed by the Nome King...you will find the roy-al 'E' stamped up-on the bottom of ev-er-y din-ner pail." The Nome King in the programming became the ruler of the demons/system within the Monarch system. Several story lines from a number of sources are overlapped to reinforce the programming scripts. The programmers will use other stories to introduce themselves into the system too. In case readers don't know, a Monarch system will have hidden powerful alters that are made in the image of their programmers, that serve as personal representatives of the programmers.
Pg. 79 Book 3 Ozma of Oz: "I am only a ma-chine, and can-not feel sor-row or joy, no mat-ter what hap-pens." This is teaching mechanical dissociation, and coincides with Tin Man programming.
Pg. 83 Book 3 Ozma of Oz: "For the Princess Langwidere is a different person every time I see her, and the only way her subjects can recognize her at all is by means of a beautiful ruby key which she always wears on a chain attached to her left wrist. When we see the key we know we are beholding the Princess." "That is strange," said Dorothy, in astonishment. "Do you mean to say that so many different princesses are one and the same person?" "Not exactly," answered the Wheeler. "There is, of course, but one princess; but she appears to us in many forms, which are all more or less beautiful." Doesn't this sound like MPD! Did Frank Baum know about MPD?
Pg. 90 Book 3 Ozma of Oz: "Princess Langwidere's sitting-room was panelled with great mirrors, which reached from the ceiling to the floor; also the ceiling was composed of mirrors, and the floor was of polished silver that reflected every object upon it. So when Langwidere sat in her easy chair and played soft melodies upon her mandolin, her form was mirrored hundreds of times, in walls, and ceilings and floor, and whichever way..." This is the mirror programming that has been done to so many victims!
Pg. 91 Book 3 Ozma of Oz: "Now I must explain to you that the Princess Langwidere had thirty heads." Isn't this story line convenient for programming?
Pg. 94 Book 3 Ozma of Oz: "...Langwidere to a position in front of cupboard No. 17, the Princess unlocked the door with her ruby key and after handing head No.9, which she had been wearing, to the maid, she took No. 17 from its shelf and fitted it to her neck....There was one trouble with No. 17; the temper that went with it (and which was hidden...)was fiery, harsh and haughty in the extreme, and it often led the Princess to do unpleasant things which she regretted when she came to wear her other heads." Does the reader see how this is programming to switch personalities. And personality No. 17 is locked up--which is a common programming methodology. The fiery, harsh anger--those are the demonic imps that the victim is coached to accept as normal which are layered in. (See chapter 10).
Pg. 98 Book 3 Ozma of Oz: "'To hear is to obey,' answered the big red colonel, and caught the child by the arm."
pg. 99 Book 3 Ozma of Oz, "...the colonel had by this time managed to get upon his feet again, so he grabbed fast hold of the girl and she was helpless to escape."
Pg. 102 Book 3 Ozma of Oz: "Once a cyclone had carried her across it, and a magical pair of silver shoes had carried her back again."
Pg. 103 Book 3 Ozma of Oz: "Fist came a magnificent golden chariot, drawn by a great Lion and an immense Tiger, who stood shoulder to shoulder and trotted along as gracefully as a well-matched team of thoroughbred horses. And standing upright within the chariot was a beautiful girl clothed in flowing robes of silver gauze and wearing a jeweled diadem upon her dainty head. She held in one hand the satin ribbons that guided her astonishing team, and in the other an ivory wand that separated at the top into two prongs, the prongs being tipped by the letters '0' and 'Z', made of glistening diamonds set closely together." The way this was used for programming is that guard alters are made out of kittens, who believe they are fierce tigers and lions and other wild cats. Ozma, represents the Illuminati Queen Mother with her crown and scepter.
Pg. 104 Book 3 Ozma of Oz: On this page we see Ozma of Oz, the Scarecrow, the Saw-Horse, the Tin Woodman, and soldiers. These characters were used in the programming. Toward the bottom of the page is something that was built into the Systems so that alters would stay in place in their internal world, "...the green carpet rolled itself up again...In order that their feet might not come in contact with the deadly, life-destroying sands of the desert."
Pg. 117 Book 3 Ozma of Oz: "Dorothy took the key to Tiktok from her pocket and wound up the machine man's action, so that he could bow properly when introduced to the rest of the company."
Pg. 119-120 Book 3 Ozma of Oz: " 'Let me introduce to you a new friend of mine, the Hungry Tiger."...he displayed two rows of terrible teeth and a mouth big enough to startle anyone.' 'Dreadfully hungry," answered the Tiger, snapping his jaws together with a fierce click."' This is programming for deeper cats in an alter system. The next page tells how this is used to teach the child alter cannibalism. "...the tiger. "For my part, I'm a savage beast, and have an appetite for all sorts of poor living creatures, from a chipmonk to fat babies.' 'How dreadful!' said Dorothy. 'Isn't it, though?' returned the Hungry Tiger licking his lips with his long red tongue. 'Fat babies! Don't they sound delicious? ...If I had no conscience I would probably eat the babies and then get hungry again, which would mean that I had sacrificed the poor babies for nothing....For it is the nature of tigers to be cruel and ferocious, and in refusing to eat harmless living creatures I am acting as no good tiger has ever before acted." This part of the book is used to help teach the child alters which think they are tigers to be cannibalistic and actually participate in eating babies. This is all filmed to be used against the mind-controlled slave.
Pg. 130-3 1 Book 3 Ozma of Oz: " 'No one knows, exactly,' replied the Princess. 'For the King, whose name is Roquat of the Rocks, owns a splendid palace underneath the great mountain which is at the north end of this kingdom, and he has transformed the queen and her children into ornaments and bric-a-brac with which to decorate his rooms.'" 'I'd like to know," said Dorothy, 'Who this Nome King is?'" 'I will tell you, replied Ozma. 'He is said to be the Ruler of the Underground World, and commands the rocks and all that the rocks contain. Under his rule are many thousands of the Nomes, who are queerly shaped but powerful sprites that labor at the furnaces and forges of their king, making gold and silver and other metals which they conceal in the crevices of the rocks, so that those living upon the earth's surface can only find them with great difficulty. Also they make diamonds and rubies and emeralds, which they hide in the ground; so that the kingdom of Nomes is wonderfully rich, and all we have of precious stones and silver and gold is what we take from the earth and rocks where the Nome King has hidden them....the Ruler of the Underground World is not fond of those who live upon the earth's surface, and never appears among us. If we wish to see King Roquat of the Rocks, we must visit his won country, where he is all powerful, and therefore it will be a dangerous undertaking....the furnaces of the Nome King....a single spark of fire might destroy me entirely.' 'The furnaces may also melt my tin,' said the Tin Woodman; but I am going."' 'I can't bear heat,' remarked the Princess... " This is used to program in the dwarfs who mine the jewels (programs). The dwarfs are often demonic imps or gnomes, rather than being real alters.
Notice that the story line fits in beautifully with the Hell Pit that the Programmers so often put at the basement of people's minds. The Hell Pit would have programming to make someone burn. If someone approaches where the Dwarfs live (which is deep underground--deep in the mind) they will burn. Notice again the words diamonds, rubies, emeralds, silver and gold which are all parts of programming codes.
Pg. 139 Book 3 Ozma of Oz: " 'But I know enough to obey my masters, and to gid-dup, or whoa, when I'm told to." This is teaching obedience. "Lower down the table were the twenty-seven warriors of Oz." This was used to create alters within the internal world.
Pg. 147-148 Book 3 Ozma of Oz: The form was that of a gigantic man built out of plates of cast iron, and it stood with one foot on either side of the narrow road and swung over its right shoulder an immense iron mallet, with which it constantly pounded the earth. These resounding blows explained the thumping sounds they had heard, for the mallet was much bigger than a barrel, and where it struck the path between the rocky sides of the mountain it filled all the space through which our travelers would be obliged to pass. Of course they at once halted, a safe distance away from the terrible iron mallet. The magic carpet would do them no good in this case, for it was only meant to protect them from any dangers upon the ground beneath their feet, and not from dangers that appeared in the air above them. "Wow!" said the Cowardly Lion, with a shudder. "It makes me dreadfully nervous to see that big hammer pounding so near my head. One blow would crush me into a door-mat." "The ir-on gi-ant is a fine fellow," said Tiktok, "and works as stead-i-ly as a clock. He was made for the Nome King by Smith & Tin-ker, who made me, and his du-ty is to keep folks from find-ing the un-der-ground pal-ace. Is he not a great work of art?"... "No," replied the machine; "he is only made to pound the road, and has no think-ing or speak-ing at-tach-ment. But he pounds ve-ry well, I think."... "Is there no way to stop his machinery?" "On-ly the Nome King, who has the key, can do that," answered Tiktok....Meanwhile the giant continued to raise his iron mallet high in the air and to strike the path terrific blows that echoed through the mountains like the roar of cannon."
This was used as the script to place in Thor, a giant who protects the programming. Very severe split brain headaches are programmed to occur to the victim, whenever the internal Thor pounds his hammer. If the programming is threatened, Thor and the imps (demons) appear, to protect it. There are an entire series of events using programming and obedient alters that takes place to protect the programming, if it is ever threatened.
Pg. 159 Book 3 Ozma of Oz: "There was no reply, except that the shifting Nomes upon the mountain laughed in derision. 'You must not command the Nome King.' said Tiktok, 'for you do not rule him, as you do your own people.' " The purpose of this part is to prepare the child's alters to accept that internal Queens and other leading alters do not rule the demons that are placed into their system, and are not to order them around.
Pg. 163 Book 3 Ozma of Oz: "In the center of this room was a throne carved out of a solid boulder of rock, rude and rugged in shape but glittering with great rubies and diamonds and emeralds on every part of its surface. And upon the throne sat the Nome King.
pg. 167 Book 3 Ozma of Oz, on this page is a picture of the Nome King telling Dorothy and Ozma that, "They belong to me and I shall keep them." In other words, the imps and their jewels belong to the king of the demons. Around his throne are steps with gems, and this imagery was used to build the internal gems in a system, with Satan/the AntiChrist's throne at the top of the stairs.
Pg. 170 Book 3 Ozma of Oz: "Although this army consisted of rock-colored Nomes, all squat and fat, they were clothed in glittering armor of polished steel, inlaid with beautiful gems. Upon his brow each wore a brilliant electric light, and they bore sharp spears and swords and battle-axes if solid bronze. It was evident they were perfectly trained, for they stood in straight rows, rank after rank, with their weapons held erect and true, as if awaiting but the word of command to level them upon their foes." 'This,' said the Nome King, 'is but a small part of my army. No ruler upon Earth has ever dared to fight me, and no ruler ever will, for I am too powerful to oppose." This was to help build acceptance within the child of the layering of armies of demons.
Pg. 180, Book 3 Ozma of Oz: "For upon the edge of the table rested a pretty grasshopper, that seemed to have been formed from a single emerald." The next page has a picture of a grasshopper wearing a hat and many shoes. This was used to help the victim take the hypnotic suggestion that their programmer was a grasshopper, a cricket. Mengele used a clicker which helped with this hypnotic suggestion too.
Pg. 182-183 Book 3 Ozma of Oz: "...the King returned to his throne.... they were greatly Page 115 .... disheartened by...the knowledge that she was now an ornament in the Nome King's palace--a dreadful, creepy place in spite of all its magnificance. Without their little leader they did not know what to do next, and each one, down to the trembling private of the army, began to fear he would soon be more ornamental than useful....' Never mind,' said the jolly monarch. 'If he doesn't care to enter the palace...I'll throw him into one of my fiery furnaces.'
Pg. 184 Book 3 Ozma of Oz: "...twenty-six officers filed into the palace and made their guesses---and became ornaments." Story line used to program parts to become useful ornaments. "...he wore a heavy gold chain around his neck to show that he was the Chief Steward of the Nome King..." Many of the abusers signify their power to the slaves, by wearing a gold chain around their neck.
Pg. 186 Book 3 Ozma of Oz: On this page it states that some magical power gave the King the ability to know all that took place in his palace. By crediting their abilities to an occult magical dimension, the programmers enhanced their appearance of power to the child victim.
Pg. 192 Book 3 Ozma of Oz: On this page and the surrounding pages, the people who have become ornaments are also assigned colors. The Queen of Ev "are all ornaments of a royal purple color." and "all those people from Oz into green ornaments."
Pg. 194 Book 3 Ozma of Oz: 'If I wore the magic belt which enables you to work all your transformations, and gives you so much other power....What color will you make the Kansas girl? asked the Steward. 'Gray, I think,' said his Majesty. 'And the Scarecrow and the machine man?' 'Oh, they shall be of solid gold, because they are so ugly in real life.' This was the script to bring in the color programming. Color programming is discussed in the Structuring chapter (7) and the Internal Controls chapter (11) dealing with the internal computers, and in chapter 4 where the codes are given.
Pg. 192 Book 3 Ozma of Oz: 'What more do you want?' demanded the King. 'A fat baby. I want a fat baby,' said the Hungry Tiger. 'A nice, plump, juicy, tender, fat baby.' When the alters are forced to accept that they are tigers and other cats, then they are encouraged (forced) into cannibalism.
Pg. 200 Book 3 Ozma of Oz: "So Tiktok touched a yellow glass vase that had daisies painted on one side, and he spoke at the same time the word 'Ev.' .... In a flash the machine man had disappeared,..." This was part of the programming to introduce daisies and switching.
Pg. 201 Book 3 Ozma of Oz: "Next she touched the image of a purple kitten that stood on the corner of a mantel, and as she pronounced the word 'Ev' the kitten disappeared, and a pretty, fair-haired boy stood beside her." This is teaching the switching of alters and their color programming. We will stop our coverage of the Ozma of Oz book here. We have only partially covered only two of the 14 Oz books, all of which were used as programming scripts. There are many more sections in this series of 14 books that served as programming scripts, but the reader has got the basic idea. It is still important to go over how some of the other books were used in programming, so that the reader begins to see how the story lines assist in programming, and how the story lines are so frequently tied together from perhaps 12 different stories to reinforce one alter's programming.
(2) Sound. The invocations.
(3) Smell. The perfumes.
(4) Taste. The Sacraments.
(5) Touch. As under